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Posts by Charlotte

Using Scrivener in research, part 1

I’ve known about Scrivener for more than four years. In fact, this application is one of the reasons why I switched to Mac and bought a MacBook in the fall of 2008. Scrivener is an application that was developed to help writers with their projects. Initially created for fiction writers (and Mac users!), it has also since then been adopted by non-fiction writers, journalists and researchers alike… and is now available for Windows too. My first experiences with Scrivener were in developing ideas for short stories. But the more I played with the software, the more I became convinced that it would make a great research tool. I’ve tried to use it in research projects before, but I never used it from the beginning of a project… until recently. Some weeks ago, I started a new research project and I decided that this would be the occasion I was waiting for. I also decided that I would share my experience with you over the next months. Read more

Beautiful libraries and bookstores

I love libraries. I used to spend a lot of time working at libraries – I even had a job at my public library when I was an undergrad! Nowadays, I do most of my work from my office or from home, but I still try to go work in a library setting once in a while. My office is very close to the Grande Bibliothèque – the national library of Québec, and it’s an amazing place to read or work. Maybe someday I’ll devote a post to this library… but in the meantime, here are pictures of other very cool libraries and bookstores found around the world. Enjoy!

http://www.thecoolist.com/book-lovers-paradise-10-amazing-bookstores-around-the-world/

Montreal graffiti

IMG_4911

Montreal streets and buildings are frequently the medium for outstanding street art.  In my spare time, I photograph those I find most beautiful or inspiring.  As a respite from writing, I thought I might post a few here for you to enjoy.

Writing as a social activity: An interview with Nelson Phillips

Nelson Phillips2

Nelson and I have known each for quite a long time. Prior to undertaking a career in academia, I worked in university administration. I was an administrator at McGill University when Nelson first started working there and we both sat on the faculty’s strategic planning committee. He was always very friendly (and still is!) and we sort of stayed in touch all through my graduate studies even though I was pretty much a nobody within academia and he was the much-admired rising star. When I moved to the UK to do my post doc at Oxford, Nelson introduced me to various people, which considerably facilitated my integration into the academic community there. So naturally, when my co-authors and I came up with the idea of interviewing academics on their writing habits, Nelson was one of the first people I thought of approaching. This interview took place over a noisy and crowded lunch at Imperial College. We were a bit pressed for time, so I could not ask Nelson all the questions I would have liked to. But I think our chat makes for a most interesting interview nevertheless (especially the writing collectively bit, which was quite the revelation for me! It would never have occurred to me to write with others in that way). Some months later I also interviewed Nelson’s good friend and frequent co-author Tom Lawrence – readers might enjoy reading that interview as well (I’ll be posting that one soon), as it provides an interesting “other side of the coin” take on some of the stories being told here.

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Using theater as a tool: An interview with Annabel Soutar

Annabel Soutar

Annabel Soutar, Playwright and Executive Director, Porte Parole

Porte Parole is a documentary theater company based in Montreal. For those unfamiliar with the genre, documentary theatre is a type of theatre that looks at current social issues and presents them in dramatic form. The script of a documentary play is the outcome of an investigative process aimed at shedding light on a given issue from a variety of perspectives. The script itself is usually written using verbatim excerpts from interview transcripts with respondents as well as other documents, such as newspaper clippings, government reports, court proceedings, etc. In some ways, one might say that documentary theater is at a crossroads between investigative journalism and art. For those of you interested in finding out more about this wonderful theatre company, you can have a look at their website: http://www.porteparole.org.

I came across Annabel’s work for the first time in 2003, when an acquaintance told me about a play her theater company, Porte Parole, had just produced. I had been working for a foundation at the time, whose mission was to build a centre of excellence in nursing in Montreal, and the play was about… nurses. It was in fact one of a seven-part series of plays on the Quebec health care system. I’d never heard of Porte Parole before, nor had I ever heard of documentary theater as a genre, but I was curious, and so I went. It was a mesmerizing experience. I had just spent the previous months trying to make sense of the field of nursing – what the issues were, where the challenges for development lay. I had spoken with existing and former politicians and civil servants in the Ministry of Health. I had met the Deans of Schools of Nursing, as well as the Directors of Nursing in most of Montreal’s major hospitals. I had spoken to the President of the Order of Nurses as well as members of her staff I had had conversations with nurses working in all kinds of roles, in all levels of our health care system (head nurses, hospital-based nurses, nurses in private practice, community health nurses, etc.). I had a pretty good understanding of what was going on, and I can honestly say that Annabel had pretty much nailed all the main issues in her hour-long play. I became an instant fan.

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Publishing Qualitative Research Video

In June 2012 a small group of us hosted a workshop on how to publish qualitative research in top journals. We invited a roster of editors from top journals in our field, and invited them to come to HEC and demystify the publishing process for the rest of us. The workshop was broken down into two parts – in the first part, both author and editor discuss their respective experiences in getting a paper through the review process at AMJ (The Academy of Management Journal). In the second part, our roster of editors comment on two burning questions about publishing qualitative research (well, they seemed “burning” to us, given that we thought them up!):

  • What is the literature review suppose to do in a qualitative paper?
  • When and why does an R&R not make it?

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On Writing – Stephen King

Stephen King

First published in 2000.

Perhaps I should start by saying that I am not a Stephen King fan. But this isn’t the case because I don’t like Stephen King’s writing. Quite the contrary. The reason I’m not a fan is because I’m chicken. Let’s face it, Stephen King isn’t considered to be one of the best ever writers of horror, suspense and fantasy for nothing. And I’m simply too chicken to read most of it.  As it happens, the only book of his that I’ve read is Pet Sematary. And despite being terrified throughout, I couldn’t bring myself to put the damn thing down. I stayed terrified for over six months after that – becoming instantly frantic anytime I was alone in our apartment and heard some strange noise. Never mind that I was living in Paris at the time, in a fifth floor apartment which couldn’t be further away from Steve’s Micmac burial ground in the backwoods of Maine. It was as if I’d find his creepy two-year-old zombie kid lurking in one of my closets, waiting to get me, scalpel in hand. You’ve got to be one hell of good writer to be able do that, in a book. This isn’t campfire story-telling, where you play on suspense with tone, and pace, and ambiance or a movie, where visuals and sound go such a long way in making everything seem real. It’s a book for Pete sakes. The only thing that’s holding you, mesmerized, onto the page, are Stephen King’s written words. We are light years from academic writing, where the only grip the stuff we write has on people is fear of not getting tenure. Where the hard part is picking the stuff up, not putting it down. (Ok, I may be exaggerating slightly, but let’s be honest, it’s only because we are truly passionate about our subjects that we can will ourselves to read a large chunk of the journal articles that are out there. The stuff we read and write can be pretty darn dry.)

So is there anything we academics can learn from Stephen King that might help us improve our writing? Given that his book pops up regularly on top-ten lists of “the best books on writing ever,” and several people in my immediate circle suggested it was a “must read”, I decided to dive in.
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Don’t eat the marshmallow! An interview with Sarah Kaplan

Sarah Kaplan

Associate Professor of Strategy, Rotman School of Management, University of Toronto

Sarah was the very first person I interviewed for this blog project. Viviane, Chahrazad and I had decided about a month before that we’d go forward with the project, and Sarah came to give a talk at HEC shortly after. We’d crossed paths a few times at conferences, and Sarah seemed quite supportive of any initiative that would be helpful to newish researchers trying to trace their little path within the academic world. I figured that if she turned me down, it would be in a nice way – remember these were early days, and we weren’t quite sure how people would respond to our request, particularly to the fact that we would be posting the interviews online. Sarah was very supportive and we talked for well over an hour. I might even add that if it hadn’t been for Sarah’s warm reception at our idea, I may not have had the motivation to ask other academics to engage in the process. No kidding! Once I completed the interview though, I became quite convinced that a lot of people would find it both interesting and informative. It is this belief that has kept me going since.

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Immerse yourself in the data: An interview with Denny Gioia

Denny Gioia

Robert and Judith Klein Professor of Management and  Chair of the Department of Management and Organization in the Smeal College of Business at Pennsylvania State

Denny came to visit HEC as a guest of GEPS (our local strategy-as-practice research group) and of course, I jumped at the opportunity to interview him for our blog.  Denny told me that when he started his career in academia, he too had undertook a similar process of interviewing established academics so as to learn from their experience, so he was quite willing to oblige me in this case. He was in such demand during his visit at HEC – everybody wanted to talk to him! – the only time slot I was able to get that was longer than half an hour was over breakfast one morning.  So I took him to this hip place I knew downtown. Mistake!  Not only did they only serve fancy breakfast paninis when Denny much preferred pancakes, the place was so loud we could hardly hear ourselves talk.  (Lesson to you researchers out there:  if you have to do a planned interview in a public space, you may want to check out the noise level first!) Anyways, thank God for Denny’s pleasant disposition and my Olympus LS-10 digital recorder (that captures great sound even in the noisiest of places), else the whole thing might have turned into a fiasco. We talked all through breakfast, and even continued chatting in the taxi on the way back to HEC. Trailing beside Denny recorder in hand, I felt like some CNN reporter trying to catch a few words from a presidential candidate rushing to his next appointment. Very cool. Read more

Be creative and playful with ideas: An interview with Danny Miller

Research Professor, HEC Montreal and Chair in Family Business and Strategy, University of Alberta

It so happens that Danny’s office at HEC is two doors down from mine. Imagine that! “the” Danny Miller is now my colleague and hallway buddy.  I mean, Danny is up there in the academic management pantheon alongside Henry Mintzberg, Bill Starbuck, Karl Weick, Dick Scott, Kathy Eisenhardt, and so on. These are the guys (and gals!) whose stuff you read as “classics” in graduate seminars, whose talks you go out of your way to attend at conferences. And what a super nice guy he is! He more than graciously acquiesced to being interviewed for this blog, although he initially seemed unconvinced that he would have anything interesting or terribly insightful to say. It turns out that he was quite wrong on that – we talked for two hours, and easily could have gone on.  And what a fascinating conversation it was!  My only reserve is that he makes writing and publishing sound so easy… if only it were so for the rest of us!  I hope you enjoy it.

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